<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>WE ARE SACTO’S BEST INDIE RECORD SHOP! BUYING, SELLING &amp; TRADING QUALITY VINYL, TAPES, CDS AND ZINES SINCE 2010</description><title>PHONO SELECT RECORDS</title><generator>Tumblr (3.0; @phonoselect)</generator><link>http://www.phonoselect.com/</link><item><title>Lords Of The New Church - Open Your Eyes (1982)
</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/n1Esuqywo9k?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span class="watch-title  yt-uix-expander-head" id="eow-title" title="Lords Of The New Church - Open Your Eyes"&gt;&lt;a href="http://www.youtube.com/artist/the-lords-of-the-new-church?feature=watch_video_title" id="watch-headline-show-title" target="_blank"&gt;Lords Of The New Church&lt;/a&gt; - Open Your Eyes (1982)&lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;&lt;span class="watch-title  yt-uix-expander-head" title="Lords Of The New Church - Open Your Eyes"&gt;&lt;img alt='7" Single Sleeve' src="http://ring.cdandlp.com/mjlam/photo_grande/114798002.jpg"/&gt;&lt;img alt="Debut Album" src="http://userserve-ak.last.fm/serve/_/54857857/The+Lords+Of+The+New+Church+f_lordsof1m_982b36e.jpg"/&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50680797818</link><guid>http://www.phonoselect.com/post/50680797818</guid><pubDate>Fri, 17 May 2013 18:23:32 -0400</pubDate><category>lords of the new church</category><category>stiv bators</category><category>Phono Select Records Sacramento</category><category>post punk</category><category>punk</category><category>Glunk</category></item><item><title>he LLords Of The New Church - Dance With Me (Extended) (1983)</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/oQnc2MR6ADY?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span class="watch-title long-title yt-uix-expander-head" id="eow-title" title="The Lords Of The New Church - Dance With Me (Extended) (1983)"&gt;he &lt;a href="http://www.youtube.com/artist/the-lords-of-the-new-church?feature=watch_video_title" id="watch-headline-show-title" target="_blank"&gt;LLords Of The New Church&lt;/a&gt; - Dance With Me (Extended) (1983)&lt;/span&gt;&lt;/h1&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50680070282</link><guid>http://www.phonoselect.com/post/50680070282</guid><pubDate>Fri, 17 May 2013 18:13:10 -0400</pubDate><category>lords of the new church</category><category>stiv bators</category><category>Phono Select Records Sacramento</category><category>post punk</category><category>punk</category></item><item><title>DECIMA VICTIMA - La razon de la discordia (Caja de ritmos)1981 </title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/Y_u3yaCaVsc?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span class="watch-title long-title yt-uix-expander-head" id="eow-title" title="DECIMA VICTIMA - La razon de la discordia (Caja de ritmos)"&gt;&lt;strong&gt;DECIMA VICTIMA - La razon de la discordia (Caja de ritmos)1981&lt;/strong&gt; &lt;/span&gt;&lt;/h1&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50386180761</link><guid>http://www.phonoselect.com/post/50386180761</guid><pubDate>Mon, 13 May 2013 21:26:07 -0400</pubDate></item><item><title>                              DECIMA VICTIMA 1981-1984
Awesome...</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/m7h-qbmzxaQ?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;                              &lt;strong&gt;&lt;a href="http://www.decimavictima.com/index.html" target="_blank"&gt;DECIMA VICTIMA&lt;/a&gt; 1981-1984&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Awesome Spanish Post-Punk band who’s records are up there with releases from &lt;a href="http://www.brittleheaven.com/" target="_blank"&gt;The Sound&lt;/a&gt;, &lt;a href="http://www.thechameleons.com/" target="_blank"&gt;The Chameleons&lt;/a&gt;, &lt;a href="http://www.bunnymen.com/" target="_blank"&gt;Echo and The Bunnymen&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Joy_Division" target="_blank"&gt;Joy Division&lt;/a&gt;, &lt;a href="http://www.words-on-music.com/foragainst.html" target="_blank"&gt;For Against&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Savage_Republic" target="_blank"&gt;Savage Republic&lt;/a&gt;, &lt;a href="http://www.pilofficial.com/info.html" target="_blank"&gt;PIL &lt;/a&gt;and countless other awesome bands. With the box set being available again in limited quantities everyone can hear this band.&lt;/p&gt;
&lt;p&gt;&lt;img alt="" src="http://www.decimavictima.com/imagenes/imagen1.jpg"/&gt;&lt;img alt="" src="http://www.decimavictima.com/imagenes/imagen23.jpg"/&gt;&lt;img alt="" src="http://www.decimavictima.com/imagenes/imagen22.jpg"/&gt;&lt;img alt="" src="http://www.decimavictima.com/imagenes/imagen7.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="" src="http://www.decimavictima.com/imagenes/DV_vinyl_box.jpg"/&gt;&lt;/p&gt;

&lt;p&gt;Decima Victima bio from their site:&lt;/p&gt;

&lt;p&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-padding-alt:0in 5.4pt 0in 5.4pt;
	mso-para-margin-top:0in;
	mso-para-margin-right:0in;
	mso-para-margin-bottom:10.0pt;
	mso-para-margin-left:0in;
	line-height:115%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:"Times New Roman";
	mso-fareast-theme-font:minor-fareast;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;}
&lt;/style&gt;
&lt;![endif]--&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span&gt;Story by Paul Martinez Cowboy &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;TENTH VICTIM Spanish revolutionized the music scene in 1981 through a dark and intimate musical approach that reached its peak through songs like ‘So Far’. Undoubtedly, this Spanish-Swedish quartet was the championing of the so-called maximum wave pop gloomy or sinister state of the eighties. &lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;&lt;span&gt;The year we lost our innocence &lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;Blessed darkness. Strindberg already said: &lt;em&gt;“We have to find the joy of life in the cruel and powerful conflicts of life itself”.&lt;/em&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;In 1981 the pop Madrid entered a stage of ‘dark’ thoughts, and innocence lost and colorism that had characterized his early days. The color black began to prevail in the costumes, while the musical references pointed to the striking dark British pop. Bands like Joy Division, Bauhaus, Killing Joke, The Cure, Echo &amp; The Bunnymen and others, began to be reflected in the proposals made by new bands began to emerge, first in Madrid, and soon the entire peninsula. The ‘after’ punk began to take hold in Spain, and in the concerts of the new formations and mourning reigned, there was no place for displays of joy. Moreover, through the rediscovery of old recordings of The Doors and Velvet Underground began to assert more intricate psychedelia and musical hieratic. &lt;/span&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span&gt;Ironically, three of the first bands who took these musical concepts Spain (Tenth Victim, Gabinete Caligari and Demolition Arias) emerged after the split of two separate groups of colorful and playful pop: Aggressive and Ella Executives and tires. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="notranslate"&gt;&lt;span&gt;Gender Squaring the ‘dark’ at that time was completed with Permanent Paralysis mythical also, though perhaps aesthetics always sought Tenth Victim impact from austerity, cold on stage and always dresses narrow old costumes and coats and raincoats dark or muted colors, but never with leather and studs, or affectation.&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;In fact, on more than one occasion, the brothers were mistaken Mertanen Mormon preachers in the streets of Madrid.&lt;/span&gt;&lt;/span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;Also, unlike the other groups mentioned-Tenth Victim provocation never sought nor aesthetic, ideological or otherwise; theirs was an unlimited expansion of emotion via artistic.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;h2&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;Dark Rider&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/h2&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;Precedents shortly before the group appeared in Madrid in late 1980, with one of the first groups that came under the premises tenebristas novel, Dark Rider, composed instrumental duo Lars and Per Mertanen, two brothers of Swedish nationality living in Spain since the 70s, at the time Lars had gone through the group She and Tires.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;br/&gt;&lt;span class="notranslate"&gt;&lt;span&gt;For his part, Carlos Train, after separation by mutual agreement of the Group Executive Aggressive begins to rehearse with them.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;In the fall of 1981 was presented the group permanently Tenth Victim, caption inspired the title of a novel by Robert Sheckley, with Carlos (voice), Per (bass) and Lars (guitar, keyboards and drum machine) as members .&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;br/&gt;&lt;span class="notranslate"&gt;&lt;span&gt;The ephemeral pub Quadrophenia, Alberto Aguilera Street, and the indefatigable (but brief) Golden Village Chamartin Madrid were the first premises in which reaped its nascent repertoire, led by great songs like ‘November’.&lt;/span&gt;&lt;/span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;Their initial sound, based on fine guitar and bass games inspired by British icons trio eventually rely heavily on the serious and engaging voice of its singer.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;h2&gt;&lt;span class="notranslate"&gt;&lt;span&gt;Recordings …&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;emotional&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/h2&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;Some months later, after amaze audiences with their live Madrid-yet unused to exercise claims, the trio was considered and prepared to record their debut album, which will materialize months later by editing a single with Accidental Recordings (GASA ), a new independent label founded by them with friends Esclarecidos pop group and other relatives.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;That simple (the first reference cited plasticized by the independent label) contained the subjects ‘Emptiness’, ‘Plunged into depression’ and ‘The reason of discord’, three tracks full of haunting harmonies and obscure texts and tormented, with fine guitar games and low key, always in the foreground, the British style of Joy Division, but this time it was executed by Lars due to the temporary absence of Per.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;br/&gt;&lt;span class="notranslate"&gt;&lt;span&gt;The album was co-produced by the own trio and Paco Trinidad (former Executive Aggressive) under the technical control of the sound engineer Jesús Gomez in the new studies Doublewtronics of Madrid, while intriguing and refined design was carefully insert photographic work of Lars , a staff that would remain almost unchanged during the entire discography of the group.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;em&gt;&lt;span&gt;“Music somewhat obscure but interesting. The group, which claims to dramatically live a battery, electronics knows very guapamente use when he gets into the studio,”&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span class="notranslate"&gt;&lt;span&gt; he said on the debut vinyl José Manuel Costa from his indispensable, prestigious, revered (and dreaded) music criticism page in The Country.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;By then Lars was in charge of the batteries in the recordings, live while Carlos ran a very limited Roland drum machine.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;h2&gt;&lt;span class="notranslate"&gt;&lt;span&gt;So far&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/h2&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;After managing to become one of the most interesting pop capital, and in 1982 he was released a second EP group, a job that has a masterful composition that would soon become one of the great landmarks of Spanish pop of the eighties , ‘So far’; sweeping song-with captivating bass lines-that evokes dense environments, deep, melancholy and, melodically, reveals far more accessible than the rest of the album, which was completed with the most intricate ‘November’ and ‘The sign of the cross’.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;This new vinyl &lt;em&gt;“a very interesting group”&lt;/em&gt; does not go unnoticed in the select reviews JM Costa, who defined it &lt;em&gt;“away from surface currents opportunists swarm Madrid,”&lt;/em&gt; stressing that Tenth Victim was &lt;em&gt;“amazingly prolific group that wait with some anxiety their first LP “.&lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;By then the primal trio had decided to replace the drum machine by battery Jose Brena, a musician newcomer who got off the sound searched for a band that looked like new state formations were the gap they had opened a case of Surveyor K ( San Sebastián), KGB (Granada), Claustrophobia (Barcelona) or the locals The Monaguillosh, The Foundation and The Last Dream.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;br/&gt;&lt;span class="notranslate"&gt;&lt;span&gt;So wrapped by a minority faithful and praised by critics finest radio and the print media, the new quartet was delivered that same year to the recording of an entire album that would be published a few months later.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;h2&gt;&lt;span class="notranslate"&gt;&lt;span&gt;The voice haunts me&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/h2&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;The first LP of Tenth Victim (self-titled) was recorded again Doublewtronics studies in Madrid with Jesús Gómez as sound engineer and co-producer Paco Trinidad.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;It was published in late 1982 and consisted of twelve tracks that resulted in dense atmospheres that had already been investigated by the group in previous works, but also seemed descarmarse of them with some lyrical winks scathing social criticism (‘Another future ‘), a veiled glimmer of optimism (’ Faith in yourself ‘) and some deep subjective description,’ From the cliff ‘.&lt;/span&gt;&lt;/span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;In addition, the album included a high quality instrumental composition, ‘Beyond Silence’, which revealed some length in the usual quartet’s musical vision.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;em&gt;&lt;span&gt;“One of the best LPs who has recorded a Spanish pop group”,&lt;/span&gt;&lt;/em&gt;&lt;/span&gt;&lt;span class="notranslate"&gt;&lt;span&gt; returned to solving Costa in the pages of the weekly newspaper El Pais.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;But, paradoxically, despite being regarded as one of the most promising formations of his time, lavished Tenth Victim hardly live during that year (even made some trips outside of Madrid).&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;However, later, and in 1983 finally settle accounts with the public by editing two new recording projects: one composed maxisingle issues ‘Garden’, ‘A place in the past’ and ‘Out of reach of sight’ , and the corresponding single-support a luxury in its field-starring ‘A place in the past’ and the unreleased ‘Panorama hopeful’ as appetizing and unreleased second side.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;br/&gt;&lt;span class="notranslate"&gt;&lt;span&gt;On this occasion, for the cover of maxi Lars did a distorted portrait Mertanen perhaps Charles Train, work of dramatic air of decadent splendor.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;h2&gt;&lt;span class="notranslate"&gt;&lt;span&gt;At the end of the trip&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/h2&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;Unexpectedly, the same year of 1983 became adverse circumstances for the quartet, the announcement later this year for a future change of family residence Mertanen threatened to abruptly terminate the career of Tenth Victim, who came to announce its dissolution through a memorable farewell concert held later this year in the living Rock-Ola in Madrid.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;During the first months of 1984 there was speculation about a possible change in the band’s return to later, but that same year reappeared with its original lineup for joy of his followers, bringing out a second album: ‘A single man’ .&lt;/span&gt;&lt;/span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;Again, Trinidad was in the landmark co-production and took over the care Lars graphic design, but this time the songs were recorded and mixed in the renowned Madrid Track studies with Juan Ignacio Cuadrado and Eugenio Muñoz as engineers.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;It was a collection of 10 songs that are provided with a more refined sound and a melodic richness, which laid bare the maturity of the band, who managed to complete a work developed organic and coherent.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;Elite critics praising the moment arrived with true admiration the topic was held title to vinyl, which also contained other intimate pop gems like ‘is just the beginning’ or ‘black earth’, among others.&lt;/span&gt;&lt;/span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;Unfortunately, ‘A single man’ (also affected by the crisis of the independent labels after the bankruptcy of the distributor Pancoca) also meant an end to the career of Spanish-Swedish quartet that broke up definitively at that time.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;h2&gt;&lt;span class="notranslate"&gt;&lt;span&gt;Debris of a triumph&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/h2&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;Years after the dissolution of Tenth Victim, his brilliant song ‘So Far’ was included in some anthologies devoted to La Movida labels or Spanish pop of the 80s.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;Also, the label DRO released in 1994, recommended CD compilation ‘Summary’, which includes most of the work of the quartet.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;Moreover, in 1991, some members of the group joined in a timely manner and Alejo Alberdi Juan Verdera under the name Tenth Victim + Demolition Arias to run a version of the old theme ‘Europe’ (original latter) within the album ‘The boy paler Gros beach’, an album that was released as a tribute to Poch (former leader of DDAA, Huntington’s Chorea sick, perish degenerative disease than seven years later) which also included other great bands Spanish eighties.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;But hope to see again all the members gathered Tenth Victim faded with subsequent death of Jose Brena.&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;h2&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;To the limit&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;/span&gt;&lt;/h2&gt;
&lt;p&gt;&lt;span&gt;&lt;span class="notranslate"&gt;&lt;span&gt;In short, Tenth Victim undeniable personality contributed to Spanish pop, reflected in texts produced, clothed by dense instrumentation, as disturbing as exquisite melodies.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;Music of situation, full of nuances.&lt;/span&gt;&lt;/span&gt; &lt;span class="notranslate"&gt;&lt;span&gt;A circle group, minority, perhaps today could fill large venues, which fortunately they never intended, which meant that his message has ever been disproved. &lt;em&gt;“Now so far I believe it hurts, I miss you heart . know it’s too late to start again. “Or&lt;/em&gt; not.&lt;img alt="" src="http://www.yellowmelodies.com/e-zine/numero8/Entrevistas/DecimaVictima/ValeroToscano/DecimaVictima.jpg"/&gt;&lt;/span&gt;&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50383249671</link><guid>http://www.phonoselect.com/post/50383249671</guid><pubDate>Mon, 13 May 2013 20:50:19 -0400</pubDate><category>The Sound</category><category>post punk</category><category>Spain</category><category>spanish</category><category>punk</category><category>goth</category><category>darkwave</category><category>cold wave</category><category>chameleons</category><category>echo and the bunnymen</category><category>for against</category><category>savage republic</category><category>Phono Select Sacramento</category><category>Phono Select Records Sacramento</category><category>phono select</category><category>record shop sacramento</category><category>record store</category><category>record store sacramento</category><category>records</category><category>Indie Record Store</category><category>Indie vinyl records</category><category>used records sacramento</category><category>used vinyl records</category><category>Sacramento Record Store</category><category>Sacramento record stores</category><category>sacramento</category></item><item><title>Eddie &amp; The Hot Rods - Do Anything You Wanna Do(1978)
from...</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/weQ4oNk7Pqc?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span class="watch-title  yt-uix-expander-head" id="eow-title" title="Eddie &amp; The Hot Rods - Do Anything You Wanna Do"&gt;&lt;a href="http://www.youtube.com/artist/eddie-the-hot-rods?feature=watch_video_title" id="watch-headline-show-title" target="_blank"&gt;Eddie &amp; The Hot Rods&lt;/a&gt; - Do Anything You Wanna Do(1978)&lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;&lt;span class="watch-title  yt-uix-expander-head" title="Eddie &amp; The Hot Rods - Do Anything You Wanna Do"&gt;from the MARC Show hosted by the man himself Marc Bolan!&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50278560218</link><guid>http://www.phonoselect.com/post/50278560218</guid><pubDate>Sun, 12 May 2013 15:05:43 -0400</pubDate><category>eddie and the hot rods</category><category>Marc Show</category><category>Marc Bolan</category><category>T. Rex</category></item><item><title>BLONDIE vs DEVO from PUNK MAGAZINE!</title><description>&lt;img src="http://25.media.tumblr.com/bd59f2c27689d78b61dfc4f2b9e3a2e9/tumblr_mmp7bfAZOv1r9sr70o1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;strong&gt;BLONDIE vs DEVO from PUNK MAGAZINE!&lt;/strong&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50275688087</link><guid>http://www.phonoselect.com/post/50275688087</guid><pubDate>Sun, 12 May 2013 14:28:27 -0400</pubDate><category>Punk Rock</category><category>blondie</category><category>Devo</category><category>Phono Select Records Sacramento</category><category>Phono Select Sacramento</category><category>record store</category><category>Punk Vinyl Records</category><category>Punk Vinyl Sacramento</category></item><item><title> Castration Squad “A Date with Jack”(1980)
The...</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/8IUAoRi33vc?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span class="watch-title  yt-uix-expander-head" id="eow-title" title='Castration Squad "A Date with Jack"'&gt; Castration Squad “A Date with Jack”(1980)&lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;&lt;span class="watch-title  yt-uix-expander-head" title='Castration Squad "A Date with Jack"'&gt;The groovy Castration Squad New Wave Theater appearance. &lt;/span&gt;&lt;br/&gt;&lt;!--[if !mso]&gt;
&lt;style&gt;
v\:* {behavior:url(#default#VML);}
o\:* {behavior:url(#default#VML);}
w\:* {behavior:url(#default#VML);}
.shape {behavior:url(#default#VML);}
&lt;/style&gt;
&lt;![endif]--&gt;&lt;/p&gt;

&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:DontVertAlignCellWithSp/&gt;
   &lt;w:DontBreakConstrainedForcedTables/&gt;
   &lt;w:DontVertAlignInTxbx/&gt;
   &lt;w:Word11KerningPairs/&gt;
   &lt;w:CachedColBalance/&gt;
  &lt;/w:Compatibility&gt;
  &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="--"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p class="MsoNormal"&gt;&lt;span class="text"&gt;&lt;strong&gt;&lt;span&gt;Castration Squad was a Los Angeles based all-female punk band back in the early 1980’s. Started by Alice Bags roommate Shannon Wilhelm a dark haired Death Punk beauty. She found her deathly beautiful blonde counterpart in another L.A. punk, Mary Bat-Thing later to become famous as Dinah Cancer, the lead singer of 45 Grave. &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;span class="text"&gt;&lt;strong&gt;&lt;span&gt;Among others, Castration Squad’s lineup included Tracy Lea (who was also in Red Cross and appeared as Tanya Hearst in the cult movie Desperate Teenage Lovedolls), Tiffany Kennedy (Cambridge Apostles), Phranc (Nervous Gender, Catholic Discipline), Elissa Bello (Go-Go’s) and Alice Bag. &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;span class="text"&gt;&lt;strong&gt;&lt;span&gt;With Shannon as lead singer and Mary as backup, Castration Squad and its avowed mission “to repair men would leave a lasting impression on the LA Punk scene and all the little punk boys around the country that caught this appearance on New Wave Theater. &lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;

&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-padding-alt:0in 5.4pt 0in 5.4pt;
	mso-para-margin-top:0in;
	mso-para-margin-right:0in;
	mso-para-margin-bottom:10.0pt;
	mso-para-margin-left:0in;
	line-height:115%;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:"Times New Roman";
	mso-fareast-theme-font:minor-fareast;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;}
&lt;/style&gt;
&lt;![endif]--&gt;
&lt;p&gt;&lt;span class="text"&gt;&lt;/span&gt; &lt;img alt="Castration Squad Manifesto" src="http://ribbonaroundabomb.files.wordpress.com/2012/03/castration-squad-manifesto.jpg?w=500&amp;h=653"/&gt;&lt;img alt="" src="http://cdn.buzznet.com/assets/users16/michaelshirley/default/castration-squad--large-msg-128744869853.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="" src="http://farm2.staticflickr.com/1059/526737080_3fdfa1b2e2.jpg"/&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50274597305</link><guid>http://www.phonoselect.com/post/50274597305</guid><pubDate>Sun, 12 May 2013 14:14:02 -0400</pubDate><category>Castration Squad</category><category>Shannon Wilhelm</category><category>Death Punk</category><category>goth punk</category><category>Dinah Cancer</category><category>Tracy Lea</category><category>Tiffany Kennedy</category><category>Phranc</category><category>Elissa Bello</category><category>Alice Bag</category><category>Punk Rock</category><category>New Wave Theater</category><category>Phono Select Records Sacramento</category><category>Phono Select Sacramento</category><category>record store</category><category>record shop sacramento</category><category>Independent Record Store Sacramento</category></item><item><title>Beasts Of Bourbon - Psycho (1988) 
Aussie goodness from their...</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/vy9oLsN5qzk?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span class="watch-title  yt-uix-expander-head" id="eow-title" title="Beasts Of Bourbon - Psycho (1988)"&gt;Beasts Of Bourbon - Psycho (1988) &lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;&lt;span class="watch-title  yt-uix-expander-head" title="Beasts Of Bourbon - Psycho (1988)"&gt;Aussie goodness from their 1984 classic ‘The Axeman’s Jazz’&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="watch-title  yt-uix-expander-head" title="Beasts Of Bourbon - Psycho (1988)"&gt; &lt;/span&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50271706993</link><guid>http://www.phonoselect.com/post/50271706993</guid><pubDate>Sun, 12 May 2013 13:35:16 -0400</pubDate><category>psycho</category><category>beasts of bourbon</category><category>Phono Select Records Sacramento</category></item><item><title> Autographs - While I’m Still Young - 1978 
Awesome...</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/dlloaW6dHGA?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span class="watch-title  yt-uix-expander-head" id="eow-title" title="Autographs - While I'm Still Young - 1978"&gt; Autographs - While I’m Still Young - 1978 &lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;&lt;span class="watch-title  yt-uix-expander-head" title="Autographs - While I'm Still Young - 1978"&gt;Awesome 78 UK Punk/Mod/Power-Pop single!&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50271505612</link><guid>http://www.phonoselect.com/post/50271505612</guid><pubDate>Sun, 12 May 2013 13:32:31 -0400</pubDate></item><item><title>The Clash - The Call Up 
One of our favorite songs from one of...</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/-ScaGjwkg2Y?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span class="watch-title  yt-uix-expander-head" id="eow-title" title="The Clash - The Call Up"&gt;&lt;a href="http://www.youtube.com/artist/the-clash?feature=watch_video_title" id="watch-headline-show-title" target="_blank"&gt;The Clash&lt;/a&gt; - The Call Up &lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;&lt;span class="watch-title  yt-uix-expander-head" title="The Clash - The Call Up"&gt;One of our favorite songs from one of our favorite bands! &lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="watch-title  yt-uix-expander-head" title="The Clash - The Call Up"&gt; &lt;/span&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50186612876</link><guid>http://www.phonoselect.com/post/50186612876</guid><pubDate>Sat, 11 May 2013 15:10:59 -0400</pubDate></item><item><title>Tenpole Tudor - Swords of a 1000 Men 
Not sure if it was the...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/mANx3L-N0yU?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 id="watch-headline-title"&gt;&lt;a href="http://www.allmusic.com/artist/tenpole-tudor-mn0000023076" target="_blank"&gt;&lt;span class="watch-title  yt-uix-expander-head" id="eow-title" title="Tenpole Tudor - Swords of a 1000 Men"&gt;Tenpole Tudor - Swords of a 1000 Men &lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;
&lt;p&gt;&lt;span class="watch-title  yt-uix-expander-head" title="Tenpole Tudor - Swords of a 1000 Men"&gt;Not sure if it was the tune or the armor and swords but for D&amp;D loving punk rockers this was a melding of two important teenage worlds. &lt;br/&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50186321364</link><guid>http://www.phonoselect.com/post/50186321364</guid><pubDate>Sat, 11 May 2013 15:06:50 -0400</pubDate></item><item><title>Members - Sound Of The Suburbs 
What a great tune to start your...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/Pc6hbiNVfbw?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 id="watch-headline-title"&gt;&lt;a href="http://www.allmusic.com/artist/members-mn0000890814" target="_blank"&gt;&lt;span class="watch-title  yt-uix-expander-head" id="eow-title" title="Members - Sound Of The Suburbs"&gt;Members - Sound Of The Suburbs &lt;/span&gt;&lt;/a&gt;&lt;/h1&gt;
&lt;p&gt;What a great tune to start your bike ride with.&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50186131413</link><guid>http://www.phonoselect.com/post/50186131413</guid><pubDate>Sat, 11 May 2013 15:04:08 -0400</pubDate></item><item><title> Alberto Y Lost Trios Paranoias 
The English Punk parody/comedy...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/BrQi66kxd-I?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;h1 id="watch-headline-title"&gt;&lt;span class="watch-title long-title yt-uix-expander-head" id="eow-title" title="Alberto Y Lost Trios Paranoias - Snuff Rock ( A Side )"&gt; Alberto Y Lost Trios Paranoias &lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;The English Punk parody/comedy bands 1977 7” Snuff Rock is an essential punk masterpiece,&lt;/p&gt;
&lt;p&gt;Long live the snuff rock!&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50185870175</link><guid>http://www.phonoselect.com/post/50185870175</guid><pubDate>Sat, 11 May 2013 15:00:36 -0400</pubDate></item><item><title>The amazing 45 Grave fronted by one of our favorite bat girls...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/9cK1nguHgk8?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;The amazing 45 Grave fronted by one of our favorite bat girls Dinah Cancer, this from the TV show &lt;a href="http://www.tvparty.com/homeroom1/4-07-82.html" target="_blank"&gt;New Wave Theater &lt;/a&gt;that was broadcast on cable TV’s USA Network on the Night Flight Show. Enjoy!&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50099600390</link><guid>http://www.phonoselect.com/post/50099600390</guid><pubDate>Fri, 10 May 2013 13:45:32 -0400</pubDate><category>Phono Select Records Sacramento</category><category>Phono Select Sacramento</category><category>Punk Vinyl Records</category><category>punk 77</category><category>punk hardcore</category><category>45 grave</category><category>dinah cancer</category><category>new wave theater</category><category>peter ivers</category></item><item><title>Paul Collins Beat Playing live in Sacramento May 11th with The...</title><description>&lt;iframe width="400" height="299" src="http://www.youtube.com/embed/agB5eYp198o?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;span&gt;&lt;a href="http://www.youtube.com/watch?v=agB5eYp198o" target="_blank"&gt;Paul Collins Beat Playing live in Sacramento May 11th with The Decibles and the English Singles!&lt;/a&gt;&lt;br/&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span id="stacks_in_373_page7"&gt;Rock icon and cult favorite &lt;a href="http://thepaulcollinsbeat.com/index.html" target="_blank"&gt;Paul Collins&lt;/a&gt; got his start with Peter Case and Jack Lee in 1974. Their band The Nerves toured with The Ramones and recorded a song called “Hanging On The Telephone.” The song would later become a hit when covered by Deborah Harry and Blondie on the Parallel Lines album.&lt;br/&gt;&lt;br/&gt;&lt;a href="http://thepaulcollinsbeat.com/index.html" target="_blank"&gt;Paul Collins&lt;/a&gt; formed The Beat in 1979, recruiting members of various rock bands including Steven Huff, Larry Whitman and Michael Ruiz. The result was The Beat, a high energy rock group in the style of The Ramones, Blondie and The Dictators. As the story goes, Collins was awarded a record deal with CBS thanks to his friend Eddie Money and Bill Graham Management. The Beat toured extensively with top acts like The Jam, Pere Ubu, The Police, Eddie Money, The Plimsouls and Huey Lewis. The Beat became Paul Collins’ Beat when a ska band from UK began using The Beat as their moniker.&lt;br/&gt;&lt;br/&gt;Paul Collins’ Beat continued to tour and record albums throughout the ’80s, with The Kids Are The Same, Beat Or Not To Beat, Long Time Gone, Live At Universal and their final album One Night, released in 1989. Paul Collins set out on a solo career, recording the self-titled Paul Collins album in 1992. This country/rock album included special guests such as Greg Kihn, Cyril Jordan (from Flamin Groovies), Jeff Trott (Sheryl Crow), Chuck Prophet, Dave Immergluck (Counting Crows) and key members of Chris Isaak’s band. &lt;br/&gt;&lt;br/&gt;1993 brought the sophomore release by Paul Collins Band, entitled From Town To Town. The album was recorded with Arty Lenin of The Flashcubes, Rick Wagner and Will Rigby of The db’s and Billy Fica of Television. This album was released by Caroline Records and featured a country rock sound similar to The Byrds.&lt;br/&gt;&lt;br/&gt;After a ten year hiatus The Paul Collins’ Beat resurfaced and released a string of new records. Flying High 2004, Ribbon of Gold 2007 and the latest King of Power Pop recorded with the legendary Jim Diamond in Detroit. Considered to be his best to date, the album gets back to the classic sound of The Beat, while combining the raw energy of Collins’ solo works. &lt;br/&gt;&lt;br/&gt;“For me this is the record that connects the dots, from The Nerves to The Breakaways to The Beat to today… this is the record that puts it all together!”- Paul Collins&lt;br/&gt;&lt;br/&gt;With the release of King of Power Pop, Paul set up The Beat Army an online Facebook community of people connected by their love of power pop, melodic guitar driven rock n roll. Now some 3000 members strong, Paul books shows all over the United States, Canada and Europe. “This is a model for the new DIY,” says Paul, “I am touring all over the world with new bands that feature the sound I helped to invent.” &lt;/span&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50019782265</link><guid>http://www.phonoselect.com/post/50019782265</guid><pubDate>Thu, 09 May 2013 12:42:13 -0400</pubDate><category>Punk Vinyl Records</category><category>paul collins</category><category>paul collins beat</category><category>Nerves</category><category>the nerves</category><category>sacramento music</category><category>Phono Select Records Sacramento</category><category>Phono Select Sacramento</category><category>phono select</category><category>Punk Vinyl Sacramento</category><category>punk 77</category><category>power pop</category><category>the Dedcibels</category><category>english singles</category><category>Dean Seavers</category><category>scott miller</category><category>used records sacramento</category><category>Vinyl Records</category><category>vinyl record store</category><category>vinyl records sacramento</category><category>Indie vinyl records</category></item><item><title>Paul Collins Beat performing on American Bandstand in...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/2cEvEUKN4Fw?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Paul Collins Beat performing on American Bandstand in 1980!&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.facebook.com/events/517343261637855/" target="_blank"&gt;Playing live in Sacto May 11th!&lt;/a&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50019478238</link><guid>http://www.phonoselect.com/post/50019478238</guid><pubDate>Thu, 09 May 2013 12:36:13 -0400</pubDate><category>Sacramento Record Store</category><category>sacramento music</category><category>Punk Vinyl Records</category><category>Punk Vinyl Sacramento</category><category>punk record store</category><category>record shop sacramento</category><category>record store</category><category>Independent Record Store Sacramento</category><category>Phono Select Records Sacramento</category><category>Phono Select Sacramento</category><category>phono select</category><category>decibels</category><category>english singles</category><category>power pop</category><category>mod</category><category>punk 77</category><category>rock n roll</category></item><item><title>Coming up this Saturday May 11th Phono Select Records Presents...</title><description>&lt;img src="http://25.media.tumblr.com/eb42dfb5abdf3e0d802338237940137a/tumblr_mmjhvgZiFS1r9sr70o1_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;img src="http://25.media.tumblr.com/a4a37c11c16a7b66726351c0f0886f71/tumblr_mmjhvgZiFS1r9sr70o2_500.jpg"/&gt;&lt;br/&gt; &lt;br/&gt;&lt;p&gt;Coming up this Saturday May 11th Phono Select Records Presents and Punch and Pie Productions brings you the not to be missed Power Pop/MOD/Punk/Rock n Roll show of the year over at Bows and Arrows!&lt;/p&gt;
&lt;p&gt;&lt;a href="https://www.facebook.com/events/517343261637855/" target="_blank"&gt;Click here for more info and the Facebook Event Listing link.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Don’t miss out!&lt;/p&gt;</description><link>http://www.phonoselect.com/post/50019211226</link><guid>http://www.phonoselect.com/post/50019211226</guid><pubDate>Thu, 09 May 2013 12:30:52 -0400</pubDate><category>Punk Vinyl Records</category><category>Punk Vinyl Sacramento</category><category>punk</category><category>punk hardcore</category><category>power pop</category><category>mod</category><category>paul collins</category><category>paul collins beat</category><category>Decibels</category><category>english singles</category><category>Indie vinyl records</category><category>Indie Record Store</category><category>bows and arrows</category><category>Sacramento Record Store</category><category>sacramento</category><category>sacramento music</category><category>all ages</category></item><item><title>We thought these were all sold out. We were wrong we just found...</title><description>&lt;img src="http://25.media.tumblr.com/ba47e41d9a4d987855388b090f36ced5/tumblr_mkqztyq5fH1r9sr70o1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;We thought these were all sold out. We were wrong we just found a box of these while we were unpacking today at the new location. Get them while you can, the person we were getting these from may not be making more.You can order them online over at &lt;a href="http://phonoselect.bigcartel.com/product/black-coffee-mug" target="_blank"&gt;PhonoSelect.com.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Work on the new location is still proceeding, we’ll get some pictures up in the next few days. &lt;/p&gt;
&lt;p&gt;Cheers&lt;/p&gt;
&lt;p&gt;Phono Dudes&lt;/p&gt;</description><link>http://www.phonoselect.com/post/47130726833</link><guid>http://www.phonoselect.com/post/47130726833</guid><pubDate>Thu, 04 Apr 2013 16:34:00 -0400</pubDate><category>Black Flag</category><category>Black Coffee Mugs</category><category>Punk Vinyl Records</category><category>Punk Vinyl Sacramento</category><category>Sacto Punk Flyers</category><category>post punk</category><category>punk</category><category>punk hardcore</category><category>punk record store</category><category>punk records</category><category>Sacramento record stores</category><category>Vinyl Records</category><category>phono select records</category><category>Phono Select</category><category>Independent Record Store Sacramento</category><category>Indie vinyl records</category><category>used vinyl records</category><category>used records sacramento</category><category>pho</category><category>Indie Record Store</category><category>Sacramento Record Store</category><category>reco</category><category>cool stuff</category></item><item><title>Here’s a blast from the past, we sure got to see tons of...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_m0emne2L8d1rr5n3mo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Here’s a blast from the past, we sure got to see tons of great bands thanks to &lt;a href="http://www.newsreview.com/sacramento/all-ages-all-over/content?oid=631794" target="_blank"&gt;Stu Katz and his Clear and Distinct Ideas Productions, I&lt;/a&gt;f this puts a smile on your face today check out the other rad flyers from back in the day, over at &lt;a href="http://sactopunkflyers.tumblr.com/" target="_blank"&gt;Sacto Punk Flyers&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Thanks to &lt;a href="http://www.sacbee.com/2011/08/20/3849773/judge-awards-attorney-fees-in.html" target="_blank"&gt;Stu Katz &lt;/a&gt;for the memories and to Ken over at &lt;a href="http://sactopunkflyers.tumblr.com/" target="_blank"&gt;Sacto Punk Flyers&lt;/a&gt; for archiving all of this rad stuff.&lt;/p&gt;
&lt;p&gt;Phono Dudes&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.terminal-boredom.com/sactoguide.html" target="_blank"&gt;Cool Terminal Boredom piece on Sacto Rock n Roll of the PUNK variety.&lt;/a&gt;&lt;/p&gt;</description><link>http://www.phonoselect.com/post/44146834957</link><guid>http://www.phonoselect.com/post/44146834957</guid><pubDate>Wed, 27 Feb 2013 11:55:40 -0500</pubDate><category>Stu Katz</category><category>Ken Doose</category><category>Sacto Punk Flyers</category><category>Clear and Distinct Ideas</category><category>Club Minimal</category><category>El Dorado Saloon</category><category>Exploited</category><category>D.R.I.</category><category>Dag Nasty</category><category>Dr. Know</category><category>Phono Select Records Sacramento</category><category>Independent Record Store Sacramento</category><category>Indie Record Store</category><category>Indie vinyl records</category><category>Punk Vinyl Records</category><category>Sacramento Record Store</category><category>Sacramento record stores</category><category>Vinyl Records</category><category>hardcore vinyl records</category><category>heavy metal vinyl records</category><category>phono select records</category><category>punk record store</category><category>punk records</category><category>record shop sacramento</category><category>record store</category><category>record store sacramento</category><category>records</category><category>sacramento records</category><category>phono select</category><category>Phono Select Sacramento</category></item><item><title>Check out this awesome piece of Sacto Punky Pop genius from...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/AX4nE4JPeuk?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Check out this awesome piece of Sacto Punky Pop genius from Phono faves &lt;a href="http://www.nokilli.com/nar/intro.html" target="_blank"&gt;NAR &lt;/a&gt;posted by &lt;a href="http://sacramentopunkshows.blogspot.com/" target="_blank"&gt;Sacramento Punk Shows.&lt;/a&gt; This made us dance around and smile from ear to ear. Be the first person to guess who was the first person to buy a piece of &lt;a href="http://www.nokilli.com/nar/intro.html" target="_blank"&gt;NAR &lt;/a&gt;vinyl and win a cool prize. Email answers to info@phonoselect.com.&lt;/p&gt;</description><link>http://www.phonoselect.com/post/44145211603</link><guid>http://www.phonoselect.com/post/44145211603</guid><pubDate>Wed, 27 Feb 2013 11:23:29 -0500</pubDate><category>Independent Record Store Sacramento</category><category>NAR</category><category>Scott Miller</category><category>Ed Carrol</category><category>Scott Mauer</category><category>Indie Record Store</category><category>Indie vinyl records</category><category>Phono Select Records Sacramento</category><category>Punk Vinyl Records</category><category>Sacramento Record Store</category><category>Sacramento record stores</category><category>Vinyl Records</category><category>hardcore vinyl records</category><category>heavy metal vinyl records</category><category>phono select records</category><category>punk records</category><category>record shop sacramento</category><category>records</category><category>sacramento records</category><category>used vinyl records</category><category>vinyl record store</category><category>vinyl records sacramento</category><category>punk hardcore</category><category>punk rock</category><category>Sacramento</category></item></channel></rss>
