PHONO SELECT SUPER SATURDAY SALE! NOV 16th 10am-2pm
Phono Select Records will be open to public once again for our Monthly sale at our new location on Saturday NOV 16th, 2013 from 10:00 a.m. 2:00 p.m.!
The entrance is located on the 19th Ave side of the building!
The vinyl LP and 7” racks are full and ready to welcome you Saturday the 16th.
Along with a fresh batch of CDs, Tapes and dollar bin records.
Our new approach involves being open to the ONE Saturday each MONTH for a set amount of hours, otherwise you can make a private appointment during the remainder of the month or just call and see if we’re in the shop.
If you’d like to stop in and shop or set up a shopping appointment text 916.849.3647 or call 916.400.3164, we’re at the shop most Tuesdays and Thursdays from Noon-4PM.
Also contact us if your interested in selling or donating records, tapes, CDs, books or music related items.
Our new spot is located at 4370 24th Street, Unit “O” near Sacramento City College. Plenty of free parking is available! You can easily pull into the back lot off of 24th street across from Panama Pottery or park along 19th Avenue.
Thanks for all your continued support. Email me with suggestions and comments Dal@phonoselect.com
We look forward to seeing you on Saturday, NOV 16th!
GOOD VIBRATIONS- THE movie about an amazing man, label and record shop from Belfast.
This man and label put out some of our favorite punk records from bands such as Rudi, The Undertones, The Outcasts and many others in the 70’s at the beginning of punk. We’ve been hearing lots of good things about this movie and can’t wait to see it.
About the film.
Terri Hooley is a radical, rebel and music-lover in 1970s Belfast, when the bloody conflict known as the Troubles shuts down his city. As all his friends take sides and take up arms, Terri opens a record shop on the most bombed half-mile in Europe and calls it Good Vibrations. Through it he discovers a compelling voice of resistance in the city’s nascent underground punk scene. Galvanising the young musicians into action, he becomes the unlikely leader of a motley band of kids and punks who join him in his mission to create a new community, an Alternative Ulster, to bring his city back to life.
Synopsis: Terri Hooley is a radical, rebel and music-lover in 1970s Belfast, when the bloody conflict known as the Troubles shuts down his city. As all his friends take sides and take up arms, Terri opens a record shop on the most bombed half-mile in Europe and calls it Good Vibrations. Through it he discovers a compelling voice of resistance in the city’s nascent underground punk scene. Galvanising the young musicians into action, he becomes the unlikely leader of a motley band of kids and punks who join him in his mission to create a new community, an Alternative Ulster, to bring his city back to life. - See more at: http://thelowdownunder.com/2013/03/trailer-good-vibrations/#sthash.lpZNZfE1.dpuf
Punk before punk existed, three teenage brothers in the early ’70s formed a band in their spare bedroom, began playing a few local gigs and even pressed a single in the hopes of getting signed. But this was the era of Motown and emerging disco. Record companies found Death’s music— and band name—too intimidating, and the group were never given a fair shot, disbanding before they even completed one album. Equal parts electrifying rockumentary and epic family love story, A Band Called Death chronicles the incredible fairy-tale journey of what happened almost three decades later, when a dusty 1974 demo tape made its way out of the attic and found an audience several generations younger. Playing music impossibly ahead of its time, Death is now being credited as the first black punk band (hell…the first punk band!), and are finally receiving their long overdue recognition as true rock pioneers.
Polyrock was an Americanpost-punk/New Wave band formed in New York City in 1978 and active until the mid-1980s. Strongly influenced by minimalism, the group was produced by the composer Philip Glass and Kurt Munkacsi. The band, led by singer/guitarist Billy Robertson (formerly of the group Model Citizen), had a keyboard-heavy, pattern-based sound strongly reminiscent of Glass’s work; in fact, Glass performed on their first two albums.
Rock icon and cult favorite Paul Collins got his start with Peter Case and Jack Lee in 1974. Their band The Nerves toured with The Ramones and recorded a song called “Hanging On The Telephone.” The song would later become a hit when covered by Deborah Harry and Blondie on the Parallel Lines album.
Paul Collins formed The Beat in 1979, recruiting members of various rock bands including Steven Huff, Larry Whitman and Michael Ruiz. The result was The Beat, a high energy rock group in the style of The Ramones, Blondie and The Dictators. As the story goes, Collins was awarded a record deal with CBS thanks to his friend Eddie Money and Bill Graham Management. The Beat toured extensively with top acts like The Jam, Pere Ubu, The Police, Eddie Money, The Plimsouls and Huey Lewis. The Beat became Paul Collins’ Beat when a ska band from UK began using The Beat as their moniker.
Paul Collins’ Beat continued to tour and record albums throughout the ’80s, with The Kids Are The Same, Beat Or Not To Beat, Long Time Gone, Live At Universal and their final album One Night, released in 1989. Paul Collins set out on a solo career, recording the self-titled Paul Collins album in 1992. This country/rock album included special guests such as Greg Kihn, Cyril Jordan (from Flamin Groovies), Jeff Trott (Sheryl Crow), Chuck Prophet, Dave Immergluck (Counting Crows) and key members of Chris Isaak’s band.
1993 brought the sophomore release by Paul Collins Band, entitled From Town To Town. The album was recorded with Arty Lenin of The Flashcubes, Rick Wagner and Will Rigby of The db’s and Billy Fica of Television. This album was released by Caroline Records and featured a country rock sound similar to The Byrds.
After a ten year hiatus The Paul Collins’ Beat resurfaced and released a string of new records. Flying High 2004, Ribbon of Gold 2007 and the latest King of Power Pop recorded with the legendary Jim Diamond in Detroit. Considered to be his best to date, the album gets back to the classic sound of The Beat, while combining the raw energy of Collins’ solo works.
“For me this is the record that connects the dots, from The Nerves to The Breakaways to The Beat to today… this is the record that puts it all together!”- Paul Collins
With the release of King of Power Pop, Paul set up The Beat Army an online Facebook community of people connected by their love of power pop, melodic guitar driven rock n roll. Now some 3000 members strong, Paul books shows all over the United States, Canada and Europe. “This is a model for the new DIY,” says Paul, “I am touring all over the world with new bands that feature the sound I helped to invent.”
I’m not always excited to go see reunited bands play live, there have just been too many disappointments over the years. But here’s an example of a band who’s first three records I just love to death and now I’m thinking I might have to make this trek out the Parkside on May 28th.